Celesti Bairagey Reflects on Her Debut Hindi Music Video ‘Ekdanta 2.0’
Actress Celesti Bairagey is currently reveling in the positive feedback she’s received for her debut music video, titled ‘Ekdanta 2.0,’ featuring the melodious vocals of Mika Singh. The song also boasts the dynamic presence of Siddharth Nigam, renowned for his exceptional dancing skills.
Sharing her thoughts in a recent interview, Celesti expressed, “The experience was truly wonderful. I felt overwhelmed when I was offered this song. Mika Singh sir is a well-known and remarkable singer.”
She continued, praising her co-star: “Siddharth Nigam is an outstanding actor, and working with him was an incredible experience for me. I’ve always been a fan of Mika Singh’s songs, and his baritone voice leaves a powerful impact on every song he sings.”
Celesti went on to highlight the challenges she faced in the dance department, saying, “Siddharth Nigam is an exceptional dancer, and performing alongside him was a challenge for me. However, with his cooperation and the support of the entire team, things went smoothly, and we achieved the desired outcome.”
The actress also extended her gratitude to choreographer Mudassar Khan, whom she described as “the sweetest person I have ever come across.” Despite the pressure of shooting the entire song in a single day, Celesti praised Mudassar Khan’s guidance and revealed that he made the process effortlessly smooth.
“‘Ekdanta 2.0’ is truly an anthem for Ganpati this year. This song serves as my Ganpati gift to my fans. While I have appeared in multiple Assamese music videos, this marks my first venture into the world of Hindi music videos. I consider myself fortunate to have had this opportunity,” Celesti emphasized.
Concluding her reflection on the music video, she added, “A well-executed music video is always an excellent platform to showcase one’s talent through dance and expressions.” Celesti Bairagey’s debut in the Hindi music video scene has certainly left a positive impression on both her fans and the industry.
