Ankit Bathla who is currently essaying the role of Siddhant Sinha in ‘Ghar Ek Mandir-Kripa Agrasen Maharaja Ki’ is now all set to essay a double role of Siddhant’s twin brother, Vedant Sinha in the show. The upcoming episodes will witness Siddhant getting bailed by his twin brother Vedant who is a well-known criminal lawyer. Vedant is ready to move mountains to get justice for his brother Siddhanth who was put behind the bars after shooting Genda (Shrenu Parikh) and her father-in-law. Siddhant on the other hand is now set to create havoc and add some high-voltage drama in the Agarwal family.
Ankit talked about it in a recent interview with BT and shared, “Vedant, my character, is a well-known criminal lawyer who has won some of the most difficult cases in the past. Unlike Siddhant, he respects women and knows how to act in their presence. He will enter Genda’s (Shrenu Parikh) life, bringing a new twist in the show.”
He added, “I have never played a double role in my entire career, but it has always been on my bucket list after hearing about the amount of preparation that goes into it. It is undeniably a difficult role to play because you must simultaneously inhabit two characters and give equal justice to both. Taking on two roles necessitates a lot of creative thinking, visualization, and, of course, hard work. The most difficult aspect of the process is reacting differently to your dialogue. But it has been an incredible experience. There is a lot to learn as an actor from this, and I am thoroughly enjoying it.”
Talking about his character, Ankit said, “The audience adored Siddhant Sinha’s character, and I have received a lot of appreciation praising my character and work. So much so a couple of our enthusiastic viewers have created fan clubs on Instagram on the character. It only shows how much they have enjoyed watching my character’s journey. It makes me ecstatic to see the tremendous love and affection it has received. Now I hope that my new character Vedant will have the same impact on the viewer’s mind and raise the drama quotient.”
